1. Brief and quote
You share the footage link, the running order and what you need back. We check the files, ask about anything unclear, and send a written quote with scope, revision rounds and a delivery date. Work starts when you accept it.
2. Sync and first cut
Every camera and the music go on one timeline. For recitals, the show is split into routines and titled. For music-synced pieces, the shot changes are placed on the beats and counts. You get a review link.
3. Review
You leave time-stamped notes on the link: a wrong title, a shot you'd rather not use, a dancer who needs to be cropped out. One person collecting notes from the studio keeps this quick.
4. Grade, sound and delivery
Cameras are color matched, music levels set, and files exported in every size you asked for, with a download link for families if you need one. Extra rounds beyond the quote are priced before we do them.
Files and formats
| We accept | We deliver |
|---|---|
| Camera files, phone video, board or recorder audio, the music files, the program | MP4 (H.264) for sharing and social by default; one file per routine, a full show, reels and vertical clips on request |
Your footage
Footage is private and used only for your project. If part of the work goes to a production partner, they work under a confidentiality agreement. See the privacy policy.
Recital footage on a card or a drive? Tell us how many routines, how many cameras and when families or judges need the videos.
Request a quote